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By | street photography

“Observations, memories, associations, they all merge at the moment you take the picture. You don’t think of it beforehand. Intuition is far more important, since everything happens so fast that often it isn’t until much later, that you realise what it is that made you decide to take the picture. I think interpretation is more important than striving for objectivity or completeness.”

(part of a text accompanying an exhibition of my photographs about Antwerp, Belgium, at the Flemish Cultural Center, Amsterdam, nov./dec.1994  © Tom Stappers)

performance tonight

By | photography

I just got an email from Jeffrey Shurdut, who will perform tonight with the equally gifted Joe McPhee at The Stone, New York. He must have overlooked that I’m not “in town” so I won’t be able to make it I need not add, in spite of the invitation, but what a pity. I would love to photograph a jazz concert again after a long time, love to hold those sturdy Nikons, use the speedlights and the motordrives, feel the weight around my neck and count the exposed films in my pocket. The game of photography, as Garry Winogrand called it, offers a lot more than just pictures, it is the excitement, being a master of timing, the tactile, the response of mechanical high-end material and being involved in (or at least very close to) the action…

real street photography

By | street photography

Contrary to what one would conclude after looking at a large number of sites by this name, street photography is about people, not streets. In fact, it is a misleading name if you are not familiar with it.

limited edition

By | photography

Somebody wants to buy one of my photographs, but only if it is from a limited edition. I tell him I don’t do limited editions, and explain that it’s not in his interest either…
The buyer says he doesn’t want to pay the price if the photograph can be reproduced in theoretically limitless numbers. I explain that it would be absolute horror to me to have to manually produce a really large number of identical first-class prints, repeating every time all the darkroom corrections and retouching afterwards (we are talking about good old gelatin silver prints, archival and all). So suppose I make an edition of say 50 to make sure I have enough stock for the future, since I can’t exceed the limit, once set. Had the buyer not insisted, chances are that I will never ever make more copies of the wanted photograph than maybe 5, if it’s not an absolute superseller! So be honest, what would you prefer if you’re looking for exclusivity?

forever young

By | photography

When zapping on my tv I saw 3 digital compact cameras being demonstrated to a group of elderly ladies. Out of curiosity I watched and heard a young woman telling them that they all offered a special new feature: the first camera had a built-in program that could digitally remove wrinkles, the second one would only take a picture if the indicated number of persons were visible on the screen, so that someone could join in, and the third would only snap if no one closed his eyes or blinked at the moment of exposure. The first camera was the favorite…

tourist remover

By | street photography

Only a few days ago I was walking in the icy drizzle of late winter in the beautiful medieval center of the French town of Dinan, Bretagne, paying attention not to slip on its equally picturesque cobblestoned streets. It reminded me of Henri Cartier-Bresson’s book “Les Européens”. There were few people on the streets and only a few families, looking a bit lost while visiting the fairground along the river bank.
I had just bought a postcard of Cartier-Bresson’s man jumping over a puddle, which was almost the only one of interest in the whole Super U shopping mall, apart from some Doisneau cards.
But in this cold and wet town I missed the people to bring it to life. I was holding my Contax in my pocket, but didn’t take anything.
A thought struck me: the Tourist Remover! I had only just recently learned about this program with its ominous name which can remove anything that moves from your digital snaps. You just take a series with some intervals and the program “sees” what moves, removing it and filling the gap with what it perceives as permanent. If only those digitally removed tourists remained floating somewhere in cyberspace…. How happily would I use them to fill my empty streets! A program called “Tourist Adder” for the street photographer? But I’m not a digital photographer. On second thoughts, no thanks, I’ll manage, I’ll deal with reality.

why the blog

By | street photography

My website is all about photographs, about straightforward black&white analog (film) photography. And there are some pretty strong pictures, I think. But even the strongest photography can be diluted by putting too many words in between, so I decided to separate the texts from the images.
In this blog I will therefore comment on my own work, as well as possibly on current developments and subjects of interest in photography, with a special focus on real street photography in the Garry Winogrand vein. Other favorites that will no doubt be mentioned in the near future are Lee Friedlander, Robert Frank and Diane Arbus. So please visit this blog from time to time if you are interested in the backgrounds of my work and my thoughts about photography. Until later!

all texts (unless indicated otherwise)    © Tom Stappers